Sony Pictures Classics confirmed today that they purchased US rights to Charlie Kaufman's directorial debut "Synecdoche, New York" from Sidney Kimmel Entertainment, a deal brokered by UTA. The film screened in official competition at the Cannes International Film Festival. This acquisition continues SPC's relationship with SKE after the successful release of Ira Sach's "Married Life."
Academy award winner Philip Seymour Hoffman plays theater director Caden Cotard's who views his life in Schenectady, New York as bleak. His wife Adele (Catherine Keener) has left him to pursue her painting in Berlin, taking their young daughter Olive with her. A new relationship with the alluringly candid Hazel (Samantha Morton) has prematurely run aground. And a mysterious condition is systematically shutting down each of his body's autonomic functions. Worried about the transience of his life, he moves his theater company to a warehouse in New York City. He directs them in a celebration of the mundane, instructing each to live out their constructed lives in a growing mockup of the city outside.
"Synecdoche, New York" was written and directed by Kaufman whose previous writing credits include BEING JOHN MALKOVICH, ADAPTATION and ETERNAL SUNSHINE OF THE SPOTLESS MIND. He received Academy Award nominations for all three films, winning the Oscar for ETERNAL SUNSHINE OF THE SPOTLESS MIND. The film stars an inspiring list of actors Oscar winners Phillip Seymour Hoffman and Dianne Wiest, Oscar nominated actresses Samantha Morton, Catherine Keener, Michelle Williams, Emily Watson, and Jennifer Jason Leigh, Hope Davis and Tom Noonan. Anthony Bregman, Spike Jonze, Charlie Kaufman, and Sidney Kimmel produced the film with William Horberg, Bruce Toll and Ray Angelic serving as Executive Producers. Director of Photography is Fred Elmes, costume designer Melissa Toth, editor Robert Frazen, visual effect supervisor Mark Russell, music by Jon Brion, and Bonnie Greenberg served as Music Supervisor.
"Synecdoche, New York" will be released in October.
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